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PURCHASER shall provide a professional sound system, adequate to cover entire venue, This PA shall be a full <br />range LINE -ARRAY system from a major manufacturer (L -Acoustics V-DOSC, Meyer Sound, JBL Vertec, <br />Adamson Y -Axis, EV X -Line) and capable of 120 dB SPL at house mix position. (Peavey, Mackie, Homemade, <br />and other consumer grade systems are not acceptable) THIS SYS'T'EM SHALL BE FLOWN WHENEVER <br />POSSIBLE. <br />26. House sound system shall be in stereo, sub -woofers will be fed via an auxiliary send. Sound system should be <br />flown whenever possible, and in a configuration that will cover all sold seats in venue. <br />27. Front fill speakers are required and will be fed by a matrix with separate EQ <br />34. FOH MIX - PURCHASER shall provide the following sound equipment listed below at no cost to <br />ARTIST. <br />NOTE: Artist is CURRENTLY CARRYING a FOH console. Therefore the console requirements and other <br />items of para. 34 shall be advanced with Artist production manager. <br />THIS SYSTEM IS FOR EXCLUSIVE USE OF ARTIST. FOR OPENING ACTS OR CO -HEADLINE <br />ACTS THE PURCHASER MUST SUPPLY A SEPARATE AND INDEPENDENT MIX CONSOLE AND <br />PROCESSING SYSTEM. <br />The system for the ARTIST shall include but is not limited to the following: <br />c. FOH -• Minimum (48) forty-eight input console: acceptable consoles include only Midas Pro 2 and AVID <br />VENUE SYSTEMS (Excluding AVID S3L) Peavey, Mackie, Allen & Heath and other consumer grade <br />consoles are not acceptable) <br />d. Appropriate length (250' minimum) analog or digital snake (48 channel 16 rctum minimum) <br />e. 48 channel 2 -way split to be placed onstage in close proximity of monitor console. <br />E A high quality communication system is required. Handsets with packs (such as Clear Cam or RTS) with three <br />or more positions will be placed between FOH mixing console, monitor console SL, and guitar tech area SR. <br />(This is not to be connected in any way to the lighting communications) <br />g. Microphones, stands and DI's to ARTIST'S Specs will also be required. (See attached Plot/Input list) <br />35. MONITORS - PURCIIASER shall provide the following sound equipment listed below at no cost to <br />ARTIST. <br />Note: Artist is CURRENTLY CARRYING a MONITOR CONSOLE and car monitors. Therefore the <br />console and monitor requirements are listed FOR FLY DATES and other occasions when the Artist is <br />unable to bring his own equipment. All other items of para.35 shall be advanced with Artist production <br />manager. <br />THIS SYSTEM !S FOR EXCLUSIVE USE OF ARTIST. FOR OPENING ACTS OR CO -HEADLINE <br />ACTS THE PURCHASER MUST SUPPLY A SEPARATE AND INDEPENDENT MIX CONSOLE AND <br />PROCESSING SYSTEM. <br />The PURCHASER shall provide the ARTIST it monitor system meeting the following requirements: <br />33. 48 input monitor console: Acceptable consoles include only Midas Pro 2 and AVID VENUE SYSTEMS <br />(Excluding AVID S3L). Console must have at least 32 discrete outputs <br />34. Eight (8) Sennheiser G3 ear -monitor transmitters and Two (2) belt -pack receivers per transmitter. <br />35. One (1) Shure P6HW hardwired personal ear monitor belt -packs. <br />36. Four (4) Shure UNFR Wireless handhelds (UR2) and receivers with SM58 capsules <br />37. Six (6) Shure UHFR Wireless belt packs (URI) and receivers <br />