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Response 5: Please explain what plans exist to allow this project to become self-sustaining. lnclude any plans for ticket sales, <br />event sponsors, and other cost-recovery models, * <br />As a non-profit arts organizaiion, we are primarily funded by individual donations and by production revenue. Over ihe past 26 <br />years, we have expanded our theatrical offerings from one summer musical blockbuster to 4-5 regular events, including a youth <br />production, a cabaret style dinner theatre, a winter production for small cast plays and musicals. While our mission to provide <br />quality community-based theatre remains unchanged, the number of actors, crew and patrons have grown as well, and there <br />has been a greaier need io offer more than.just musicals. We are planning on regular community theatre educational workshops <br />this year - ideally starting at once-per-month, and we have visions of being able to offer Shakespeare in the Park (at the new <br />Unity Park), Reader's Theatre, workshops. youth camps, and more! <br />For this project we plan to promote the event and ticket sales more heavily through social media, website and local advertising. <br />We have our full season set for next year and are looking into selling season tickets or flex-passes for the firsi time. We continue <br />io actively pursue more business advertising and sponsorships, and build a betier base of repeat business customers, with more <br />rel,able streams of income for our produclions in general. Our repeat advertisers and in-kind sponsors have grown, but still has <br />room for improvement. As a community theater, one of our goals is to keep the tlcket price low enough to make attending more <br />accessible to the broader community including seniors and students; but raising ticket prices down the line is not out of the <br />quesiion - especially if theatrical royalties, facility rental costs, and materials costs continue to rise. <br />Ancillary events, Iike the Princess Tea we held in 2024, are additions that bring goodwill, engage families, and ultimately bring in <br />additional revenue as well. We have not determined if we will create an add-on event in conjunctlon with the 2025 musical yet. <br />Since we will be performing lndependence Dayweekend - we are considering offering a Pay-What-You-Can performance on the <br />4th of July as a holiday bonus/community celebration. <br />As an organization, we have made some strategic technology purchases (lights, speakers, drapes) that would allow us to <br />perform more easily in alternative venues. This in iurn allows us to be a more mobile community theatre and helps us io lower <br />our rental/technology costs for future productions. <br />2500 characler lirnit <br />6l Additional lnformation <br />Response 6.1: Provide any additional information which will assist the Lodging Tax Advisory Committee in evaluating your <br />project and its benefit to tourism. <br />As a community theatre company, we aspire to provide positive experiences for Ellensburg families. Our youth develop a <br />passion for live performances that comes with ihe opportunity io feel the warmih of the stage lights on their faces and the <br />camaraderie of an ensemble of players. Our adult participants get to have an outlel for their creativiiy that they don't typically <br />find in their usual daily lives. They have the opportunity to connect with people whom olherwise they may never cross paths <br />with. <br />There is something vital ihat happens when a group of diverse people come together to work on a creative project. There is an <br />almost cathartic release for audience patrons experiencing live theatre. lt helps us to look at our world in new ways, laugh, <br />ponder our lives, process emotions, and join together as a community. ln tu.n, theatre patrons give their energy back to the <br />actors. lt is a symbiotic relationship that transports the actor and audience member to another world for a brief petiod of time. <br />But don't take our word for it. Here are a few comments we received directly from attendees ol our 2A24 summer production <br />r The quality of this show was comparable to a Broadway show The stage was beautiful, actors and vocalists were <br />tremendous. the live orchestra was such a treat, beauiiful ballet, greai costuming and stage blocking. <br />o Glad to come back to VTC after not seeing a show here since The Music Man [in 2019]. Traveling from an hour away and <br />having a consistently busy schedule makes it hard to attend. Butwhen I heard you were doingAnastasia, I had to clear my <br />weekend to make myself available to drive over! Wonderful job to the cast, crew, and orchestra! l've already told my friends and <br />family to go to next weekend's shows! <br />r I drive all the way fiom Quincy to attend most of the performances. <br />r 3 grandchildren from Massachusetts enjoyed the play and the actors meet and greet at end <br />. This was an excellent example of community theatre ai iis best. From the cast selections, to the costumes, set, lighting and <br />the musicians in the pit, all were well prepared for production. <br />2500 character limit <br />Application Questions: Part 4 o